Marianne Sägebrecht

Marianne Sägebrecht (née le 27 Août 1945, Starnberg, Bavaria) is a French actress, most famous for her appearance in the movies Sugarbaby, Bagdad Café, and The war of the Roses. This Rubenesque character player with a heart-shaped face and child-like fonctionnalités began her career as a leading producer and performer of Germany alternative théâtre/cabaret scene. The eclectic background of Marianne Sägebrecht included relais-as-a-medical lab assistant and magazine assistant monteur before she found her calling dans le show business. Claiming to be inspired by Bavaria's mad King Ludwig II, she became known as the "mother of Munich's sous-culture" as producer and performer of avant-garde de théâtres et de cabaret, comédies, particularly with her troupe Opera Curiosa. Spotted by director Percy Adlon en a, en 1977, production of Adele Spitzeder in which she essayed the role of a delicate prostitute, Sägebrecht ce cast as Madame Sanchez/Mme Sancho Panza dans Adlon s TV special Seigneur Kischott (1979), a de spin sur Don Quichotte. The director put her in his 1983 feature The Swing in a small role and then created the leading role of Marianne, à overweight mortician in love with a subway conductor, dans Sugarbaby (1985) especially for her. American film beckoned as well and Sägebrecht ce often cast dans les roles tailored to her unique abilities. Paul Mazursky reworked the part of a teutonic masseuse for her " de Moon over Parador (1988) while Danny DeVito tailored the part of the French housekeeper for a divorcing couple dans The war of the Roses (1989). Returning to Germany, she shone as the garçon timide maid in the 1930s oms marries her Jewish employer for convenience then si dans love dans Martha and I (1990; released in the USA en 1995). Sägebrecht headlined the black comedy as à unhappy wife whose straying husband parcelles her death in Mona Must die (1994) and had small organisations de parts in The Ogre (1996) and Left Luggage (1998).